Showing posts with label Michele Morgan. Show all posts
Showing posts with label Michele Morgan. Show all posts

Tuesday, September 29, 2009

Michele Morgan vs. Qatar!


Jean Gabin and Michele Morgan, as they appear in director Jean Delannoy's searing 1952 melodrama, La Minute de verite (1952).





For more than twenty years, the iconic French actress Michele Morgan, who co-starred with Jean Gabin in four great motion pictures -- Le Recif de corail (1938), Le Quai des brumes (1939), Remorques (1939/41), and La Minute de verite (1952) -- lived in the Hotel Lambert, a 17th Century mansion on the eastern tip of Paris. In 2007, a Qatarian Sheik bought the hotel, and he is now seeking to refurbish it in a way which many conservationists feel to be anachronistic with the original intent of the building. Morgan, who is today 89 years old, is working with the conservationists to try and stop this from happening.


Here is a very good article about the situation, written by Hannah Westley on September 12, 2009, for The National, the daily newspaper of the United Arab Emirates:



"Its façade may be less recognisable than the Louvre or the Sacré Coeur, but the history of the Hôtel Lambert, the 17th-century mansion at the eastern tip of Paris’ Ile Saint Louis, is in many ways no less remarkable. Currently at the heart of a polemic concerning its restoration, this hôtel particulier was once the epicentre of romantic Paris when it welcomed the likes of Voltaire, Chopin, Delacroix and George Sand. It is the mansion’s history and the way it is intertwined with the very fabric of the building’s construction that has made the Hôtel Lambert a cause célèbre for the Ile Saint Louis’s celebrity residents.





It was bought in 2007 by Hamad bin Khalifa Al Thani, brother to the Emir of Qatar, from the Baron Guy de Rothschild for a sum estimated to be somewhere between €60 million (Dh321m) and €80m. The building’s restoration project was handed to Alain-Charles Perrot, the chief architect of France’s historic monuments, and whose responsibility is their safeguarding and protection. The Qatari Prince wishes to restore the Lambert, classed as a Unesco heritage site, to its original function as a family home by uniting the present three apartments into a single dwelling. While this would appear to be a relatively unproblematic undertaking, what have caused more concern among conservationists are the proposed plans for an underground car park, which critics suggest could put at risk the building’s foundations, a lift and new bathrooms. Concerns have also been raised about the proposed transformation of the mansion’s hanging garden. In a move to protect against these changes, an association for the protection of historic Paris has gone to court to try to reverse official approval of the project.



Designed by Louis le Vau, the architect responsible for enlarging the Château of Versailles and building the famous castle Vaux-le-Vicomte, the Hôtel Lambert was constructed between 1639 and 1644 for Jean-Baptiste Lambert, secretary to Louis XIII. It houses some spectacular works of art including wall paintings and murals by le Brun, who went on to paint Versaille’s world-famous Galerie des Glaces. Armed with a petition of 8,000 signatures, lawyers for historic Paris have argued that the plans should be abandoned in the interests of national pride. Members of the hallowed Académie Française have also raised their objections. “Would they drill through the beams and floorboards of the Villa Medici to make room for an elevator shaft?” the academician Jean-Marie Rouart was heard to ask.




Other voices of dissent have come from more surprising quarters and include celebrities such as the comedian Guy Bedos, the singer Georges Moustaki and the iconic film star Michèle Morgan, who lived in the Lambert for 20 years. Other support has come from abroad, including Barry Bergdoll, the chief curator at New York’s Museum of Modern Art, the Italian architects Ricardo Florio and Edoardo Piccoli, the Canadian professors Myra Nan Rosenfeld and Georges Teyssot and the British art historian Mary Whiteley.



One of the problems with the architect’s original proposal was his intention to restore the mansion to its 17th-century glory, thereby suppressing the 18th-century elements as well as the 19th-century stained glass windows. Guidelines for the restoration of historic monuments, as laid out in the 1964 Venice Charter, indicate that unity of style should not be the aim of restoration, which should seek to conserve historical additions made over the centuries.



At the time of the prince’s purchase of the Lambert, many commentators remarked upon how France’s close diplomatic ties with Qatar are beginning to yield significant commercial advantages. Since the independence of Qatar in 1971, France has maintained strong links with this Francophile state, which has become a major economic force in Europe. Sheikh Hamad bin Khalifa was the first Arab head of state invited to the Elysée palace by Nicolas Sarkozy in 2007. The Sheikh is said to have a direct line to the Elysée and the two men enjoy a close working relationship. It can only be hoped that the Hôtel Lambert does not come between them."



Here's the Hotel Lambert's "new owner," Sheik Hamad bin Khalifa Al Thani (not to be confused with Frank Zappa's alter-ego "Sheik Yerbouti" from the 1978 double album) and, apparently, he thinks nothing of placing a glass elevator in a 17th-century building! Hopefully, thanks to Michele Morgan and her hearty team of conservationist-commandos, he will soon have a healthy sense of "buyer's remorse!"

Sunday, September 6, 2009

Jean Gabin Book: The 2009/2010 Expanded/Revised "Second Edition" is Now Here: Press Release

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Here is Jean Gabin in the hypnotic 1939 film Le Recif de corail (The Coral Reefs, 1939), one of the films discussed in the book WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN, VOLUMES ONE AND TWO, by Charles Zigman. While it was made during the same period when Gabin starred in such internationally recognized classics as Pepe Le Moko, La Bete humaine, Le Jour se leve, La Grande illusion, and Le Quai des brumes, Recif is completely unknown in America. In fact, because the film was considered to be "lost," it was unknown even in France, the country of its production, until 2004! The film actually had its French premiere in 2004, sixty years after it was produced.



FOR IMMEDIATE RELEASE:

For More Information, contact: publisher@allenwoodpress.com



“Jean Gabin is one of the greatest actors who ever lived. He is, to me, the paradigm of the perfect actor. He’s still. He’s honest. He’s brave. He would never make anything up. He would never add any emotion to it… And he performs with such simplicity, that it can only be understood as artistic courage…”
David Mamet



ALLENWOOD PRESS ANNOUNCES AN OCTOBER 1, 2009 RELEASE DATE FOR
AWARD-WINNING FILM HISTORIAN/AUTHOR CHARLES ZIGMAN’S 2009/2010 “SECOND EDITION” OF WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN VOLUMES I & II


Awarded “Best Performing Arts Book” by Independent Publisher Book Awards in 2009 and “Book of the Year” for Best Performing Arts Book by Foreword Magazine in ‘08
Los Angeles, CA – Allenwood Press announces October 1, 2009 as the release date of the 2nd edition of a revised and expanded version of Film Historian/Author, Charles Zigman’s Award-Winning Two-Volume Set on the prolific film career of Actor Jean Gabin entitled, WORLD’S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN VOLS I AND II. Awarded “Best Performing Arts Book” by Independent Publisher Book Awards in 2009 and “Book of the Year” for Best Performing Arts Book by Foreword Magazine in ’08, the newly expanded and revised 2nd edition includes new photographs and twelve completely re-written chapters, with new information discovered via reader feedback from the First Edition.

The twelve film chapters which have been completely re-written from scratch for The Second Edition are for the films Coeurs joyeux (1933), La Bandera (1935), La Belle equipe (1935), Gueule d'amour (1937), Remorques (1941), Moontide (1942), Impostor (1944), L'Air de Paris (1954), Gas-Oil (1955), Razzia sur la chnouf (1955), Voici le temps des assassins (1957), and Le Chat (1971). Most of the other chapters feature important revisions, alterations, and deletions, as well.


Considered to be one of the greatest movie stars of all time by movie fans throughout the world, the legendary French actor Jean Gabin’s entire prolific film career is documented in the WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN, VOLUMES ONE AND TWO. These are the very first filmography books on Jean Gabin and his ninety-five films in any language, not to mention the very first books ever written about Jean Gabin in the English-language. “For many people around the world,” Ian Birnie, film curator of the Los Angeles County Museum of Art has said, “Jean Gabin is, and has always been, French cinema.”
The legendary actress Michele Morgan, who appeared with Gabin in some of his best known feature films, wrote the foreword to Volume One. Actress Brigitte Bardot penned an original foreword to Volume Two; Playwright/Director David Mamet has provided an “appreciation” in the same volume.


WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN, VOLUMES I AND II is for Jean Gabin newbies and completists alike: For the un-initiated, both books feature lengthy biography and introductory chapters which place Gabin and his famous big-screen persona into perspective; and for film buffs, Film Historian/Author Charles Zigman presents ninety-five separate chapters dedicated to Jean Gabin's ninety-five theatrical feature films. Each of the two volumes features over 100 rare archival photographs, never seen before in other published French-language books about Jean Gabin.


More than sixty motion pictures which have never been subtitled into English have been translated by native speakers and written about by Author Zigman in WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN, VOLUMES I AND II, allowing English-speaking readers to feel, by reading about the films, that they’re actually ‘seeing’ them. Excerpts included from original U.S. and European newspaper reviews, written between the 1930’s and the 1970’s, demonstrate how prominent movie critics received Gabin's pictures when they were first released.
Throughout the world, Jean Gabin is considered to be film history’s consummate everyman, and he continues to be a huge cult figure in the United States. In 2002, week-long Jean Gabin festivals were presented at the Los Angeles County Museum of Art’ and at the Walter Reade Theatres in New York to sold-out crowds. In September of 2008, Author Zigman, in connection with the release of the First Edition, presented a two-night Jean Gabin Screening Event and Book Signing at the American Cinematheque at Hollywood’s Egyptian Theater.


During the 1930s and 1940s, Gabin's popularity in the U.S. equaled that of Humphrey Bogart, James Cagney, and Bette Davis. Volume One, subtitled "Tragic Drifter," explores the period between 1930 to 1953, and covers the first forty-six of Gabin’s films, including the internationally renowned GRAND ILLUSION, as well as the 1937 gangster classic PEPE LE MOKO in which, as in other films made during this period, the actor reucrringly plays international movie history's most famous tragic drifter.


Volume Two, subtitled "Comeback/Patriarch," covers Films 47 through 95, which Gabin made between 1954 and 1976. During this period, instead of playing the tragic drifter, the star played a series of mega-cool gentleman-criminals and world-weary yet life-loving patriarchs. Gabin even turned out comedies during this period, films which have been previously unknown to English-speaking audiences.
Film Historian/Author Charles Zigman’s goal is to introduce as many people as possible to Gabin’s films and life in a fun, informative, comprehensive way. The 2nd edition of WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN, VOLUMES I AND II will be available October 1, 2009. The two volumes are sold separately.


Film Historian/Author Charles Zigman, a native of Los Angeles, has taught Film and Television at Augusta State University, Georgia. Zigman is a graduate of both UCLA’s undergraduate filmmaking program and Columbia University’s Graduate Department of Film in New York, where he co-wrote a screenplay with writing legend Terry Southern. Zigman has also contributed articles to NEW TIMES LOS ANGELES, CULT MOVIES MAGAZINE, THE HOLLYWOOD STOCK EXCHANGE, WORD.COM, and L.A. TRIBE.COM, not to mention several chapters to the 2001 book GIG: AMERICANS TALK ABOUT THEIR JOBS AT THE TIME OF THE MILLENNIUM (Crown Books). For the past ten years, he has traveled the world, researching and writing about all ninety-five films of Jean Gabin. He currently resides in Los Angeles, CA. For more information, go to www.jeangabinbook.com and www.allenwoodpress.com.



Volume One: Tragic Drifter: ISBN: #978-0-9799722-0-1. ($39.95 U.S./£25.00 U.K./ €26.85 European Union.) Hardcover, 6 x 9, 576pps., 113 black and white photos, Pub. Date: October 1, 2009.

Volume Two: Comeback/Patriarch: ISBN: #978-0-9799722-1-8. ($39.95 U.S./£25.00 U.K./ €26.85 European Union.) Hardcover, 6 X 9, 532pps., 100 black and white photos, Pub. Date: October 1, 2009.

Distributed by: Amazon.com, Amazon.co.uk, Amazon.fr, Amazon.ca, Baker and Taylor, Barnes and Noble, Bertram’s, Blackwell Book Services, Coutts, Cypher Library Supplier, Gardner’s, Holt Jackson, Ingram, NACSCORP, Book Depository.

-END-

Friday, July 17, 2009

Michele Morgan, 89, Jean Gabin's Greatest Co-Star, wins Legion of Honor Award in Paris!


Some great news!

This past week, on July 14, the great and luminiscent French actress Michele Morgan, who is 89 years old, was one of six recipients of the Legion of Honor award in France, a prize which she shares with actress Bernadette Lafont, directors Jerome Deschamps and Macha Makeieff, former Minister of Justice Albin Chalandion, and academician Jean-Marie Rouart.

Morgan, for Anglophone movie fans who might not familiar with her, is one of France's leading movie stars of the Golden Age, as popular in her native country as Barbara Stanwyck, Joan Crawford, and Bette Davis are in the United States.

Of course, she is probably also Jean Gabin's greatest co-star; in fact, in director Michele Carne's 1938 classic of French Poetic Realism, Le Quai des brumes (Port of Shadows), Gabin tells Morgan, "T'as de beaux yeux, tu sais" (translation: "You have the most beautiful eyes, you know"). (In terms of its paramount importance, this line of dialogue is right up there with "Frankly my dear, I don't give a damn," from Gone with the Wind, where French film scholars and film fans are concerned.) In real-life, Gabin and Morgan were an item for awhile, in the late '30s and early '40s, as well.




Very literally, this is the most famous line in the history of French cinema:
"T'as de beaux yeux, tu sais." (It's not 'what' Gabin says swooningly to Morgan, but how he says it.)




Right before she co-starred with Gabin in 1939's Le Quai des brumes, Morgan, who was then only 17, first appeared alongside the actor in 1938's Le Recif de corail (The Coral Reef), and she and Gabin also co-starred together in 1941's Remorques (Tugboats/Misty Wharves) and 1952's La Minute de verite (The Moment of Truth). Additionally, Gabin and Morgan appeared separately in director Sacha Guitry's undernourished 1952 epic, Napoleon,which might be the only 'bad' film associated with either actor.

Michele Morgan, who was born Simone Roussel on February 29, 1920 (a leap year), first came to the attention of the French moviegoing public with her starring role in director Marc Allegret's 1937 Gribouille, a sort of pre-cursor to Lumet's Twelve Angry Men, and she appeared in more than seventy movies and television roles up until the time she retired from the screen, in 1999. During the Second World War, when Germany invaded France, many French film notables, including both Gabin and Morgan, temporarily moved to Hollywood where they appeared in a number of American-made English-language films.

Morgan has been married three times -- to the American actor William Marshall, to the French actor Henri Vidal, and to the director Gerard Oury, and her son by William Marshall, Mike Marshall, who passed away in 2005, was a film actor as well.

Today, retired from performing, the multifaceted Michele Morgan continues to be a painter of great repute, with occasional gallery exhibitions in France. Here she is on June 11, 2008, still beautiful and engaging at the age of 88:



And of course, Morgan has also contributed an original foreword to my book WORLD'S COOLEST MOVIE STAR: THE COMPLETE 95 FILMS (AND LEGEND) OF JEAN GABIN (www.jeangabinbook.com). The First Edition of WORLD'S COOLEST MOVIE STAR was released on July 20, 2008, and the all-new revised/updated/expanded Second Edition should be released around September 1, 2009. Keep your eyes on this blogsite for more details as they become available.

Congratulations to Michele Morgan on her great honor!